John Pashilk's sculpture was born in the Northern California milieu that gave that world the Whole Earth Catalog and Apple Computers. From his early bronzes, which in the 1970s already appear as the remnant treasures of some post-apocalyptic archaeological excavation – to his lyrically abstract aluminum wall pieces of the 1990s, and more recent large scale ventures in public art, Pashilk's ever quizzical work has blossomed in symbiosis with the epochal technological shifts of the last half century.